I continue to create machine embroideries by stitching directly onto painter's canvas using a wide range of rayon, metallic, woollen and cotton threads.
Intensive stitching changes the base fabric from a flat surface to one that moves and undulates with its own unique quality.
This technique allows me to draw in a very direct way. The sewing machine needle provides the marks a pencil would make, and the richly coloured threads offer me a sumptuous and exciting palette. Rather like opening a box of deliciously forbidden chocolates, I am spoilt for choice!
Qualities of light and colour observed on land and over water provide the starting points for the embroideries that I will be exhibiting at the Knitting and Stitch shows 2008. As I manipulate and change the surface of my base fabric by stitching, the earth's surface provides me with visual stimuli that I seek not to emulate, but to investigate. Drawing and observing are both essential parts of the creative process, with photography and notes providing back up when needed.
I observe, I record, I select, I develop.
Starting points include coastlines and landscapes from England, France, Italy and Spain. Some works are image based, whilst others have a more abstract quality.